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Alex
Grey was born in Columbus, Ohio on November 29, 1953 (Sagittarius),
the middle child of a gentle middle-class couple. His father was a
graphic designer and encouraged his son's drawing ability. Young Alex
would collect insects and dead animals from the suburban neighborhood
and bury them in the back yard. The themes of death and transcendence
weave throughout his artworks, from the earliest drawings to later
performances, paintings and sculpture. He went to the Columbus College
of Art and Design for two years (1971-73), then dropped out and painted
billboards in Ohio for a year (73-74). Grey then attended the Boston
Museum School for one year, to study with the conceptual artist, Jay
Jaroslav.
At the Boston Museum School he met his wife, the artist, Allyson Rymland
Grey. During this period he had a series of entheogenically induced
mystical experiences that transformed his agnostic existentialism
to a radical transcendentalism. The Grey couple would trip together
on LSD. Alex then spent five years at Harvard Medical School working
in the Anatomy department studying the body and preparing cadavers
for dissection. He also worked at Harvard's department of Mind/Body
Medicine with Dr. Herbert Benson and Dr. Joan Borysenko conducting
scientific experiments to investigate subtle healing energies. Alex's
anatomical training prepared him for painting the Sacred Mirrors (explained
below) and for doing medical illustration. When doctors saw his Sacred
Mirrors, they asked him to do illustration work. Grey was an instructor
in Artistic Anatomy and Figure Sculpture for ten years at New York
University, and now teaches courses in Visionary Art with Allyson
at The Open Center in New York City, Naropa Institute in Boulder,
Colorado, the California Institute of Integral Studies and Omega Institute
in Rhinebeck, New York.
In 1972 Grey
began a series of art actions that bear resemblance to rites of
passage, in that they present stages of a developing psyche. The
approximately fifty performance rites, conducted over the last thirty
years move through transformations from an egocentric to more sociocentric
and increasingly worldcentric and theocentric identity. The most
recent performance was WorldSpirit, a spoken word and musical collaboration
with Kenji Williams which was released in 2004 as a DVD.
Grey's unique
series of 21 life-sized paintings, the Sacred Mirrors, take the
viewer on a journey toward their own divine nature by examining,
in detail, the body, mind, and spirit. The Sacred Mirrors, present
the physical and subtle anatomy of an individual in the context
of cosmic, biological and technological evolution. Begun in 1979,
the series took a period of ten years to complete. It was during
this period that he developed his depictions of the human body that
"x-ray" the multiple layers of reality, and reveal the
interplay of anatomical and spiritual forces. After painting the
Sacred Mirrors, he applied this multidimensional perspective to
such archetypal human experiences as praying, meditation, kissing,
copulating, pregnancy, birth, nursing and dying. Grey’s recent
work has explored the subject of consciousness from the perspective
of “universal beings” whose bodies are grids of fire,
eyes and infinite galactic swirls.
Renowned healers
Olga Worral and Rosalyn Bruyere have expressed appreciation for
the skillful portrayal of clairvoyant vision his paintings of translucent
glowing bodies. Grey's paintings have been featured in venues as
diverse as the album art of TOOL, SCI, the Beastie Boys and Nirvana,
Newsweek magazine, the Discovery Channel, Rave flyers and sheets
of blotter acid. His work has been exhibited worldwide, including
Feature Inc., Tibet House, Stux Gallery, P.S. 1, The Outsider Art
Fair and the New Museum in NYC, the Grand Palais in Paris, the Sao
Paulo Biennial in Brazil. Alex has been a keynote speaker at conferences
all over the world including Tokyo, Amsterdam, Basel, Barcelona
and Manaus. The international psychedelic community has embraced
Grey as an important mapmaker and spokesman for the visionary realm,
.
A large installation
called Heart Net by Alex and his wife, Allyson, was displayed at
Baltimore's American Visionary Art Museum in 1998-99. A mid-career
retrospective of Grey's works was exhibited at the Museum of Contemporary
Art, San Diego in 1999. The large format art book, Sacred Mirrors:
The Visionary Art of Alex Grey has been translated into five languages
and has sold over one hundred thousand copies, unusual for an art
book. His inspirational book, The Mission of Art, traces the evolution
of human consciousness through art history, exploring the role of
an artist's intention and conscience, and reflecting on the creative
process as a spiritual path.
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For
further information
and a list of works
currently available
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